Capturing the hidden world of tiny creatures demands precision, patience, and the right gear. Over time, I’ve refined my setup to balance portability with performance — allowing me to shoot in everything from local parks to dense rainforests. Here’s a breakdown of the kit I use to bring miniature worlds to life:
OM System OM-1 Mark II Camera
At the heart of my setup is the OM System OM-1 Mark II, a powerhouse micro four-thirds camera that excels in speed, durability, and image quality. With its industry-leading image stabilisation, lightning-fast autofocus, and weather-sealed body, it’s built to perform in challenging environments. Whether I’m chasing active insects or working handheld in low light, this camera delivers razor-sharp results and outstanding dynamic range.
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OM System 90mm f/3.5 Macro Lens
Paired with the OM-1 Mark II, the 90mm macro lens is an absolute game-changer. With 2x native magnification (4x with crop factor), it allows me to get incredibly close to my subjects without disturbing them. The lens is tack-sharp, beautifully renders detail and texture, and handles background blur (bokeh) with grace. It’s my go-to for everything from tiny jumping spiders to intricate patterns on moth wings.
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Godox V860 III Flash
Lighting is everything in macro photography, and the Godox V860 III provides the power and consistency I rely on. It features a high-capacity lithium-ion battery for fast recycle times and extended shooting, while the adjustable flash head and built-in modelling light give me full creative control. It’s robust, dependable, and integrates seamlessly with my workflow in the field.
Cygnustech Diffuser
A powerful flash is only part of the equation — the secret to natural-looking, beautifully diffused light lies in the Cygnustech Diffuser. Developed through years of hands-on experience and iterative design, this custom-built diffuser wraps my subjects in soft, even light without harsh reflections or shadows. Compact yet incredibly effective, it’s like carrying a portable studio on the end of my lens. For me, it’s the most critical piece of the puzzle when it comes to capturing the fine details and textures that make macro photography so magical.
